AKG D 770 Bedienungsanleitung PDF herunterladen (Seite 21)

3 Using Your Microphone

3.3 Flute

Fig. 5: Microphone

placement for the

flute.

To maximize gain before feedback, place the main

("FOH") speakers in front of the microphones

(along the front edge of the stage).

Be sure never to point any microphone directly at

the monitors, or at the FOH speakers.

Feedback may also be triggered by resonances

depending on the acoustics of the room or hall.

With resonances at low frequencies, proximity ef-

fect may cause feedback. In this case, it is often

enough to move away from the microphone a little

to stop the feedback.

Working distance primarily depends on the kind of

music played. For popular and jazz pieces, rela-

tively short distances may be desirable (1 or 2 in.),

as the amount of wind and breath noise rises with

decreasing working distance. In this case, blow a

little below the microphone in order to avoid

getting too much noise by blowing at it from an ex-

tremely short distance. For classical music, which

calls for spatial reproduction, place the micro-

phone about 4 to 8 inches away from the instru-

ment and slightly above it. Aim the D 770 down to-

ward and roughly at right angles to the flute.

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AKG D 770 Bedienungsanleitung Seite 21